{"id":255,"date":"2023-12-04T00:32:49","date_gmt":"2023-12-03T15:32:49","guid":{"rendered":"https:\/\/sansui.space\/?post_type=members&#038;p=255"},"modified":"2023-12-10T08:20:31","modified_gmt":"2023-12-09T23:20:31","slug":"saori_miyake","status":"publish","type":"members","link":"https:\/\/sansui.space\/en\/members\/saori_miyake\/","title":{"rendered":"Saori Miyake"},"content":{"rendered":"\n<p><p>Being interested in the nature of the image that mediates between private experience and collective memory, Saori Miyake attempts to explore the &#8220;painterly image&#8221; inherent in people&#8217;s gaze and bring it to life in a polyphonic way. Her works include photograms, videos, prints, and drawings as a means of tracing back and examining the origins of the image such as &#8220;shadow.&#8221;<\/p><br><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"2000\" height=\"1114\" src=\"https:\/\/sansui.space\/wp-content\/uploads\/2023\/12\/20230501_nagano2.jpg\" alt=\"\" class=\"wp-image-418\" srcset=\"https:\/\/sansui.space\/wp-content\/uploads\/2023\/12\/20230501_nagano2.jpg 2000w, https:\/\/sansui.space\/wp-content\/uploads\/2023\/12\/20230501_nagano2-1000x557.jpg 1000w, https:\/\/sansui.space\/wp-content\/uploads\/2023\/12\/20230501_nagano2-768x428.jpg 768w, https:\/\/sansui.space\/wp-content\/uploads\/2023\/12\/20230501_nagano2-1536x856.jpg 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><figcaption class=\"wp-element-caption\">&#8220;Nowhere in Blue&#8221; 2023 (still). Single-channel video. 20 min.<\/figcaption><\/figure>\n<\/div>\n\n\n<p><strong>Solo Exhibitions (Selected)<\/strong><\/p>\n\n\n\n<p>2023\u3000<a href=\"https:\/\/waitingroom.jp\/en\/exhibitions\/nowhere-in-blue\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Nowhere in Blue<\/em>, WAITINGROOM, Tokyo<\/a><\/p>\n\n\n\n<p>2021\u3000<em>Artist in Museum Vil.9 Saori MIYAKE<\/em>, The MUSEUM OF FINE ATRS, GiFU, Gifu<\/p>\n\n\n\n<p>2019\u3000<em>GARDEN | POTSDAM<\/em> , Space TGC, Tokyo<\/p>\n\n\n\n<p>\u3000\u3000\u3000 <em>THE MISSING SHADE 3<\/em>, WAITINGROOM, Tokyo<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Group Exhibitions (Selected) <\/strong><\/p>\n\n\n\n<p>2022\u3000<em>Mirrorless Mirror<\/em>, gallery \u03b1M, Tokyo<\/p>\n\n\n\n<p>2021\u3000<em>The Practice of Everyday Practice<\/em>, Nagoya University of the Arts Art &amp; Design Center, Aichi<\/p>\n\n\n\n<p>\u3000\u3000\u3000<em> Oku-Noto Triennale 2020<\/em> <em>+<\/em>, Suzu city, Ishikawa<\/p>\n\n\n\n<p>2019\u3000<em>MOT Annual 2019\u3000Echo after Echo : Summoned Voices, New Shadows<\/em>,&nbsp;The Museum of Contemporary Art Tokyo, Tokyo<\/p>\n\n\n\n<p>2018\u3000<em>20th DOMANI: The Art of Tomorrow<\/em>, The National Art Center, Tokyo<\/p>\n\n\n\n<p>2017\u3000<em>ArtMeets04 Koichi TABATA \/ Saori MIYAKE<\/em>, Arts Maebashi, Gunma<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Grants and Awards <\/strong><\/p>\n\n\n\n<p>2016\u3000The Kyoto Prefecture Culture Prize for Effort<\/p>\n\n\n\n<p>2015\u3000Fellowship of Overseas Study Program for Artists by the Agency for Cultural Affairs, Japan<\/p>\n\n\n\n<p>2010\u3000VOCA Prize<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Being interested in the nature of the image that mediates between private experience and collective memory, Sa [&hellip;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-255","members","type-members","status-publish","hentry","en-US"],"acf":[],"_links":{"self":[{"href":"https:\/\/sansui.space\/wp-json\/wp\/v2\/members\/255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sansui.space\/wp-json\/wp\/v2\/members"}],"about":[{"href":"https:\/\/sansui.space\/wp-json\/wp\/v2\/types\/members"}],"wp:attachment":[{"href":"https:\/\/sansui.space\/wp-json\/wp\/v2\/media?parent=255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}